Rosie Gibbens graduated from an MA in Contemporary Art Practice: Performance at the Royal College of Art (2018) and a BA in Performance Design and Practice at Central Saint Martins (2015). She lives in London.
Exhibitions:
2023
The New Me | Shoreditch Arts Club with Daata | London
The Amber Room | Matt’s Gallery | London
Are you working now | National Taiwan Museum of Fine Arts | Taiwan
After the performance | curated by Paul Carey Kent | Tension Fine Art | London
Body Poetics | curated by Marcelle Joseph and Becca Pelly Fry | Giant | Bournemouth
Eye Body | TJ Boulting | London
Bodies, Gluttony and me | Pictorum | London
Tangle Teaser | Sarabande Foundation | London
Saucisson | Shtager & Shch | London
Peckham 24 photo festival | London
Fleshed Out | The Bomb Factory | London
2022
The Ingram Prize | Unit 1 Gallery Workshop | London (winner)
Touch me baby | Bad Art | The Bomb Factory | London
(SOLO) Fierce Festival | Midlands Arts Centre | Birmingham | London
Sarabande Group Show | Sarabande | London
TRAFFIC (curation) | LUVA gallery | 28th July
The best of the BF artist film festival | The London Open | Whitechapel Gallery | London
Sunny Prestatyn | ArcadeCampfa | Cardiff
Girl meets Girl | Curated by Paul Carey Kent | Vestfossen Kunstlaboratorium | Norway
(SOLO) The New Me | Daata | Expo | Chicago
2021
Mouth Parts | St, Margaret’s House | London
Balls | OOF Gallery | London
Pigeon Park | Manor Place | London (25 Sept - 3 Oct)
The Factory | Thorpe Stavri | London (9 Oct - 22 Oct)
Ex-is | National Museum of Modern and Contemporary Art | Seoul | South Korea
(SOLO) Soft Girls | Zabludowicz Collection | London
Hot Air | Bad Art presents | London
The Holy Grail | Ohshprojects | London
Recreational Grounds | Thames-side Studios | London
The Artist Is Online | König Galerie | Berlin
2020
Antisocial Isolation | Saatchi Gallery | London
She Chews Art II | Croydon Arts Store | London
Visions at the Nunnery | Bow Arts | London
Window Display at Chalton Gallery | London
Black Box | UCA | Farnham | UK
Salon Acme no.8 | Mexico City
Ridiculous | Elephant West | London
Moving Pictures | Latrobe Regional Gallery | Australia
2019
First Thursday Performance Evening | Bow Arts | London
8&8 Screening | Lake West | South Korea
No Nation Performance Festival Screening | Bogota | Columbia and Chicago | USA
Frieze Day: Temporary Realities | Chalton Gallery | London
Absinthe no.3 | Collective Ending | Spit and Sawdust | London
Inside Job | Tate Modern | London
Art Night 2019 | Chalton Gallery | London
Recreational Grounds V | DATEAGLE ART | London
Fivehundredthousand | Deptford Cinema | London
YIKES (A Celebration of Awkward Performance) | Lovelite | Berlin | Germany
How are you Babe? | Blank100 | London
Brick + Mortar Projects curated performance event | Strangelove Time-based Media Festival | Folkestone
BF Film Festival VIII | Serf | Leeds | UK
Through the Backdoor | Bloomberg New Contemporaries | South London Gallery | London
2018
Unperforming | Curated by Louise Ashcroft | Artsadmin | London
nodoCCS Video Festival | Cerquone Projects | Caracas | Venezuela
Steakhouse Slow Sunday | Toynbee Studios | London
Visions at the Nunnery | Tina Keane Programme | Bow Arts | London
Emergency Festival 2018 | Z-arts | Manchester
Staged | The Bomb Factory | London
Learn Where the Meat Comes From | out_sight | Seoul | South Korea
TBCTV | Somerset House | London
Royal College of Art Degree Show | London
Low Entertainment | Vogue Fabrics | London
Beyond the Body | Asylum | London
Diffracta | Total Refreshment Centre | London
Bomb Factory Film Festival | Art Week Exeter | Exeter | UK
5 Minutes of Your Time | TestBed/ Doodle bar | London
REVOLVE Performance Festival | The Orangerie, Orbyhus Castle | Uppsala, Sweden
False Efficiency | Toynbee Studios | London
CAPberet | Royal College of Art | London
Artists Film Festival VI | The Bomb Factory Art Foundation | London
The Cruising Garden | Vogue Fabrics | London
Queer and Feminist Porn | Royal College of Art | London
Deep Trash Romance | Cuntemporary | Bethnal Green Workingmen’s Club | London
GRAIN | The Factory | Folkestone
2017
I Come In The End, The Best Is Over | Dyson Gallery | London
I’ll Be More Social Tomorrow | Charlton Gallery | London
Standing Block | Lincoln projects |Burlington Camden | London
(Ten)peramental | Toynbee Studios | London
F O L L O W | Lychee One | London
Archiving Fever no.2 | Square Gallery | London
Archiving Fever no.1 | Hundred Years Gallery | London
Intimaterial | Royal College of Art | London
REVOLVE Performance Festival | Uppsala Konst Museum |Uppsala, Sweden
Five minutes of your time | Testbed | London
MicroActs | Hotel Elephant | London
Work in Progress Show | Royal College of Art | London
2016
Handover | The Factory | Folkestone
Drunken Nights | St George Tavern | London
This was the Future | Barbican | London
Mourning Milk | Freshly Scratched | Battersea Arts Centre | London
Selected press and writing:
Rosie Gibbens: Low-tech feminisms interview for Tank Magazine, 2024
The Future of London Art by Eddy Frankel for Time Out, 2023
Embracing absurdity and humour with artist Rosie Gibbens, Extraordinary Creatives Podcast with Ceri Hand, 2024
Studio session: Rosie Gibbens by Kitty Gurnos-Davies
Body Poetics by Paul Carey Kent for Art Monthly isuue 446, 2023
ArtFictions podcast with Vanessa Murrell, 2023
Considering Art podcast interview with Bob Chaundry, 2023
Rosie Gibbens parodies consumerist culture and advertsiing’s ‘sex sells mentality’ interview by Juno Kelly, Mission Magazine, 2022
Rosie Gibbens is the interdisciplinary artist exploring the absurdity of contemporary life article by Gilda Bruno, Re-Edition magazine, 2022
Rosie Gibbens’ Consumerist Comedy interview by Anna Mustonen, So-Far, April 2022
The New Me essay by Charlotte Kent, Daata, May 2022
Artlyst ‘Interview of the month’ by Paul Carey Kent, August 2021
Interview with Paul Luckraft for ‘Soft Girls’ at the Zabludowicz Collection, June 2021
FAD magazine ‘Top 5 Art Exhibitions to see’ by Tabish Khan, August 2021
Farty paintings and getting sozzled on gin: a seriously silly history of art and comedy colliding by Hettie Judah for The Guardian, July 2020
Evening Standard ‘Balls’ Review by Ben Luke, July 2021
Contact:
rosiegibbens1@gmail.com
or DM me on Instagram